I hope you all enjoy it.”, Source: Richard Donner’s introduction to Superman II: The Richard Donner Cut on DVD and Blu-ray, The director’s preferred edition: The Richard Donner Cut, Comparison of the editions with courtesy of Movie-Censorship.com. Superman II Donner Cut VS Spider-man 2.
If you're not familiar with the story behind the story, it's really quite fascinating. Additionally, the release included a new making-of featurette titled Superman II: Restoring the Vision and six deleted scenes.
Donner’s panache for action sequences works well in the first hour, but I found myself missing Lester’s light touch, particularly with General Zod and company’s appearance on Earth.
Most of all, I got gray hair. In 2004, the fan-restored DVD known as Superman II: Restored International Cut was released through many Superman fan sites.
The Perry White office set was then partly re-built under Lester in 1979, the actors placed in exactly the same positions, costumes, etc., and new material filmed and inserted into the final film, despite the actors looking physically different. In the Donner version Brando never says that the process is irreversible and later states when changing him back that he knew his son would one day realise the error of his ways. Long before he started writing online, he has always been a huge Sci-Fi fan - starting with "The Twilight Zone" and "Outer Limits" when he was still too young for kindergarten, graduating to "Star Trek" reruns in the 70’s and of course fully initiated by the original "Star Wars." Lester’s humor also worked effectively as the three supervillains let loose a gust of wind just as the people of Metropolis attempted a lynching (“Superman is dead! At the Daily Planet in Metropolis, Lois Lane (Margot Kidder) suspects that Clark Kent is Superman. The theatrical Superman II is a hodge-podge of stories: there’s some Superman-Lois romance parts, some General Zod antics, some powerless Superman bits, and a little bit of Lex Luthor. But incorporating the unpolished audition footage is jarring; ultimately, the edit is simply a curiosity. In any case, this was by far a better version than what came out in movie theaters originally, and gives a tantalizing vision of what might have been in Superman III and IV instead of the steady slide into ridiculousness that those films turned out to be. Hitchcock on steroids. He's also a big comic book fan (and still buys them) and lover of superheros, action movies, and the occasional horror flick. We only used the Lester footage when there was material when they had not been able to shoot, and to keep some continuity to the story. Meanwhile, Zod, Ursa and Non arrive on Earth and conquer a small town in Idaho. The only parts of Lester’s version that I still don’t like are the final confrontation with the phantom zone villians (where Supes teleports and uses his emblem as a trap) and the infamous super kiss scene that erases Lane’s memory. The theatrical Superman II is a hodge-podge of stories: there’s some Superman-Lois romance parts, some General Zod antics, some powerless Superman bits, and a little bit of Lex Luthor. Equally distracting were the extra cuts back to Perry White’s office showing White, Lois Lane and Jimmy Olsen from behind as they watch the fight over Metropolis. The extended ransacking of the town by the Kryptonites adds valuable exposition, without which the narrative makes little sense. Lester’s slapstick stuff was never that funny.  Examples of this trademark comedy are evident during scenes which feature Superman fighting the super-villains in Metropolis. I believe I will prefer the original as I love that movie.
Richard Lester brought in a refreshing vibe making Superman 2 as enjoyable as 1.
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